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Mixing it up Buck combined the talents of numerous artists, using virtually every animation technique, to bring their vision to life. To make the transitions from one style to another seamless, the design and animation teams worked together to meticulously plan every frame, creating visuals that worked with the motion, and motion that complemented the visuals. The result is what they call “the raddest, baddest, most cohesive, and well‑choreographed mash‑up of styles and techniques that animation has ever seen.”. Bringing a sketchbook to life Erin spent two weeks filling a sketchbook with drawings, notes, and doodles.
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To give it an authentic look, she used watercolor paint and a blow‑dryer to distress the pages. She then filmed the book using a Phantom Flex camera at 270 frames per second. The next step was bringing the sketches in the book to life. To do that, the sketches were imported into Cinema 4D, where they were projected onto a 3D model, which was then animated. The illustration and model were composited in After Effects and fine‑tuned to make all the different elements speak in the same visual language.